My Favourite NAB 2024 launches

Like most content creators, I watch the highlights from the NAB show in Las Vegas each year with wide eyes and an imaginary bottomless budget.

In the first Bird’s Eye View episode let’s look at some of the things that caught my eye from Blackmagic Design, DJI, and Aputure.

I’ve included relevant Amazon links for some of the products. Eye of the Bird Films Ltd. participates in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon.com.

DaVinci Resolve 19: A Filmmaker’s Essential Tool

While not as flashy as some other items at the show, DaVinci Resolve 19 is a critical asset for any filmmaker. Having recently edited my first project using DaVinci Resolve 18, I was genuinely impressed. I’ve used Final Cut Pro X for over ten years, appreciating its intuitive and user-friendly interface. However, as my skills evolved and shooting styles shifted, I began to grow, so did my desire to grow my editing skills.

Enter Blackmagic Design’s DaVinci Resolve, an NLE (non-linear editor) that has rapidly become the preferred choice for production houses worldwide. Although I’ve been using the free version, I’ve been amazed at its power. While it lacks some of the user-friendly features found in FCPX (like the Magnetic timeline and simplified tools), it more than compensates with robust colour grading and advanced editing capabilities. The logical tab layout guides you seamlessly through the editing process, from organization to delivery, keeping your focus squarely on content creation.

Up until now, I’ve stuck with the free version. However, based on the success of my recent project and how quickly I grasped the basics, I’m seriously considering switching to the paid Studio version. Like FCPX, it’s a one-time payment (£294/$295).

Blackmagic Design announced Resolve 19 at this years NAB, complete with 100 extra features! Let’s highlight a few:

AI Tools: Enhancements and efficiencies abound. Text-based timeline editing streamlines the process, and improved audio functionality includes UltraNR Noise Reduction.
Color Grading: The introduction of Color Slice Vector Grading and the Film Look Creator takes color grading to new heights.
Hardware Optimization: Version 19 seems tailor-made to leverage the power of Apple’s M2/M3 Pro and Max chips, delivering incredible performance. Perhaps it’s time to upgrade my Mac!

DJI Trilogy: Unveiling New Tools for Filmmakers

I’ve been a loyal DJI user since my early days with the Inspire 1 nearly a decade ago. They are almost Apple-esq in their commitment to innovation and quality. Whether it’s a Ronin gimbal or one of their drones, DJI consistently delivers reliable gear for my shoots.

1. DJI Focus Pro: Unlocking Auto Focus for Cine Lenses

The DJI Focus Pro is really exciting for filmmakers, bringing autofocus capabilities to cine and vintage lense. Whether you’re a solo shooter or working with a First AC, this tool uses LiDAR technology to track your subject. The reviews are really good, and I’m excited about the creative possibilities it offers.

We saw this previously on the Ronin RS3 Pro, being jury-rigged by some content creators for static setups. I’m sure DJI recognized the demand (and opportunity for additional sales) and so introduced the Focus Pro. As content creators, we can craft our unique visual style using cine lenses or even rehoused vintage glass for that organic look.

DJI Focus Pro Creator Combo - https://amzn.to/3Un8cMa - Amazon

2. Ronin Gimbals: A Decade of Innovation

Celebrating a decade of excellence, the Ronin gimbals remain a staple in my filmmaking arsenal. I’ve owned two so far, including my trusty Ronin S which I think is due for an upgrade. The refresh brings two options:

Ronin RS 4: Designed for lighter payloads such as mirrorless cameras
Ronin RS 4 Pro: Offers increased payload capacity and enhanced functionality like the LiDAR option for focus but also FIZ motors for Iris and Zoom as well as Focus..

As a Sony FX3 shooter, I’m leaning toward the Pro version to future-proof my setup and embrace the benefits of LiDAR Focusing.

DJI RS 4 - https://amzn.to/49OhZAh - Amazon

DJI RS 4 Pro - https://amzn.to/3w51mmh - Amazon

3. Avata 2 FPV Drone: Elevating Aerial Creativity

DJI’s latest iteration of the Avata FPV drone, (“Avata 2”), brings improvements over the original. These are:

Larger Sensor: Improved image quality and dynamic range.
Enhanced Low-Light Performance, thanks to the larger sensor Perfect for challenging lighting conditions.
Extended Flight Time: Now up to 23 minutes (compared to the original’s 18 minutes).
User-Friendly Design: DJI has streamlined usability, making it even more accessible.

Confession time: My original Avata purchase was an impulse, fueled by dreams of replicating those exciting Red Bull-style videos. Sadly, I’ve only flown it in my garden so far. Time to practice before they release the Avata 3!

DJI Avata 2 Fly More Combo - https://amzn.to/3WdpRYY - Amazon

Aputure Infinimat System: Illuminating Cinematic Dreams

Finally, we have the Infinimat from Aputure. They are another one of my favourite filmmaking companies, offerting professional-grade products but at a more manageable price point for us mere mortals.

As someone who frequently uses Aputure gear on set, I can vouch to the exceptional quality and reliability of their lighting solutions. The Sidus Link control app allows wireless adjustments across multiple lights, which adds a layer of convenience that simplifies my filmmaking process.

So, on to the Infinimat— definitely a “money-no-object dream purchase/I probably don’t need it” category. Designed for sets demanding large, even lighting, Infinimat offers a lightweight, inflatable, and remarkably sturdy lighting option. They haven’t mentioned pricing yet but I’m sure we’ll see it in MKBHD’s studio when it’s available.

As with any new technology, it’s important to pump the brakes when it comes to buying kit, especially when sticking to a budget - I learned that the hard way! Thankfully places like MPB are there to sell/purchase used kit.

In the next episode of Bird’s Eye View, we’ll look into what you need to get started creating in-house video content, and when you will need to hire a professional.